The Rise of Friendsgiving

Airports suck. They suck the worst on holidays like Christmas and Thanksgiving: some nearly a sixth of all Americans travel for the holiday and most of them are taking to the sky to get to leave their homes and go “back home” to some dining room that’s larger than their own. Every airport is full of government-groped travelers anxious over the possibility of missing their flight to a Thanksgiving table. For the 20-30 year-old set, Thanksgiving out of town usually means a paycheck’s worth of plane ticket plus a couple days of missed work or precious class time needed for a final exam. For many more, the prospect of taking an extended weekend is completely out of the question because most of us work in retail. As my friend Lisa wrote on her Facebook yesterday: “To fellow retail employees this holiday: Godspeed, we can do this.” Thanksgiving isn’t a time to relax, its a time to either gear up for a 12-hour work day or spend as little as money as possible to make up for the remarkable food bill you just racked up. To leave town on Black Friday’s Eve is near-impossible, and so many millennials plan for a Friendsgiving: the thoroughly post-modern holiday that celebrates a  paradoxical mixture of just getting by, the excesses of late-capitalism, and the infinitely negotiable non-familial ties that make up young peoples’ lives.

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Sherlock: A Perspective on Technology and Story Telling

A few weeks ago, I challenged Kurt Anderson’s claim that cultural progress and innovation had stagnated in the last twenty years. Anderson, I contend, has ignored new mediums (the Internet), re-invented genres (hip-hop, electronic music), and new cultural stereotypes (geek chic, hipsters).But what ties all of these things together is the central thesis that consumer technologies are just as much cultural artifact as clothes or music. No where is this more obvious and brilliantly executed than in BBC One’s updated interpretation of the Sherlock Holmes mysteries. Set in present day London, “Sherlock” is a reinterpretation of the most famous Holmes mysteries and does an excellent job of translating the Victorian source material into a modern drama. That translation includes dress, idiomatic expressions, and vehicles- but it also includes cell phones, restrictions on smoking, and the War on Terror. Sherlock is a uniquely 21st century show that could not have taken place in the early 2000s or the 90s.

 

[SPOILER ALERT: details about the first episode of Sherlock"A Study In Pink" are discussed below. The ending is not totally given away, but major story details are revealed.] Read More on Cyborgology.

Gender, Culture, and Cooking on the Internet

Since you are probably going to spend today arguing about Occupy Wall Street with your conservative family members and helping your parents with computer questions we figured you would appreciate some slightly ligher fare: internet cooking shows. But because we are social scientists, we can't be satisfied with uncritical review. Therefore, I want to discuss how these cooking shows interact with, perform, reify, and probelmitize constructions of gender and nationality. The three shows I want to cover (I'm gonna have to pass on this and this. There's a great article at dailydot.com that lists most internet cooking shows.) are Epic Meal Time, Regular Ordinary Swedish Meal Time, and My Drunk Kitchen. Full disclosure: I have a profound weakness for all of these shows, with increasing affinity in the order I just presented them. In case you're unfamiliar with these shows, I'll briefly introduce them and then get into the theory. [Images after the break might be considered NSFW.]

Read more at Cyborgology.