Cable News is Dead, Long Live Cable News

The very fact that your eyes rolled (just a little bit) at the title tells you that it is absolutely true. So true its obnoxious to proclaim it. Perhaps cable news died when CNN made a hologram of  Jessica Yeller  and beamed her into the “Situation Room” just to talk horse race bullshit during the 2008 election. Or maybe it was as far back as 2004 when Jon Stewart went on Crossfire and shattered the fourth wall by excoriating the dual hosts for destroying public discourse. The beginning of the end might be hard to pinpoint, but the end is certainly coming. Fox News had its lowest ratings since 2001 this year, but still has more viewers than CNN & MSNBCNEWSWHATEVERITSCALLEDNOW combined. Even if ratings weren’t a problem, credibility certainly is. Imagine if CNN stopped calling themselves the “Most Trusted Name In News” and used the more accurate, “A Little Over Half of Our Viewers Think We’re Believable.” By now it is clear that the zombified talking heads of cable news are either bought and sold, or just irrelevant. Cable news channels’ hulking, telepresent bodies have been run through and left to rot on the cynical barbs of political bloggers and just about anyone at a comedy shop’s open-mic night. This last series of screw-ups in Boston (hereherehere and unless it was avant-garde electronic literature, here) begs the question if cable news channels can even tell us what’s going on anymore. Cable news is dead, but something keeps animating the corpse.

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Our Emotional Attachment to Interfaces

Windows 8's Metro Interface is a radical departure from previous Windows releases.

My first PC was a frankenstein PC running Windows 3.1. I played Sim City and argued with people in AOL chat rooms. My first mac was a bondi blue iMac that ran OS 9, more AOL, and an awfulStar Trek: Voyager-themed first-person shooter.  I was 13. In the intervening years, I’ve had several macs and  PCs, all of which have seen their fair share of upgrades and OS updates. Even my current computer, which is less than a year old, has seen a full OS upgrade. I am one of those people that like radical changes to graphic user interfaces (GUIs). These changes are a guilty pleasure of mine. Some people watch trashy television, I sign up for a Facebook developer account so I can get timeline before my friends. I know I’m fetishizing the new: it goes against my politics and my professional decorum. I have considered switching to Linux for no other reason than the limitless possibilities of tweaking the GUI. It is no surprise then, that I have already downloaded the Windows 8 release candidate and I am installing it on a virtual machine as I write this paragraph. What is it about GUIs that evoke such strong emotions? While I practically revel in a new icon set, others are dragged into the future kicking and screaming. What is it about GUIs that arouse such strong feelings?

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Participatory Comedy

Or, Tosh.0 is Racist, Classist, Homophobic, Sexist, and Just Plain Gross

I’m not really sure where to begin here. Tosh.0, the Comedy Central hit show hosted by Daniel Tosh, is so rife with sophomoric dick jokes (I prefer the classy kind) and heteronormative swill that I contemplated not even writing this post. Unlike Ellen or even It’s Always Sunny in Philadelphia, Tosh.0 is meant to be (as far as I can tell) the refined distillation of a 14-year-old-white boy’s id. The show is half sketch comedy, half sitting with your younger brother while he guzzles an energy drink and laughs at youtube videos of bums fighting. Jezebel has already written about his “lightly touching women’s stomachs while they’re lying down” campaign, andhis fat-shaming caption contest.  Both posts deserve your attention, the former for its righteous anger, the latter for its history of the image used in the contest. I went through several pages of videos, looking for good examples of the “-ists” I listed above, but each one was so jam-packed with privilege and hate that I couldn’t pick just one. But if, you have never seen the show and need some mental flagellation, here’s a sexist one about MMA fighting; something called “fat girl gymnastics” (fat shaming with bonus racism); a video that’s actually titled “Racist Moments Montage“; and an even more racist one called, “stereotypes are not always true.” I understand that Daniel Tosh is a comedian, and to argue with one usually means you have already lost the fight, but I think there is a fruitful discussion to be had about how a public figure engages with his or her audience and the sort of behavior they encourage.

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